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Video generation prompt

This instruction describes the intended video; details and movement in the finished clip may vary.

subject_definitions: <Picture 1> supplies the character reference for an adult woman. <Subject 1> is that same adult woman: Swedish-model look with platinum blonde hair, pale freckled skin, a fit body and thin waist, a fuller chest under clothing, big puffy lips, and a blush. She must stay recognizable from <Picture 1> while wearing stylish sexy attire over a bra and panties. No facial or body details beyond the provided text and the reference identity are invented. summary: A 13-second vertical flirt-date in which <Subject 1> from <Picture 1> greets the viewer, dances and reveals a bra without nudity, then performs a clothed cowgirl grind on a chair with a pleasured look, speaking seductive lines to camera. The still is used only as the adult character reference. retention_analysis: fully_preserved: adult woman identity from <Picture 1>; platinum blonde hair, pale freckled skin, blush, big puffy lips, fit body, thin waist, shiny oiled-skin look, stylish sexy clothing, and full-body framing that avoids closeups. partially_preserved: source poses are adapted into a dressed reveal (bra stays on), a solo grab over the bra, and a side-view cowgirl straddle on a chair with a pleasured expression, without nudity or sexual organs. weak_reference: apartment lounge, armchair, implied viewer-date, and the specific dress-to-lingerie change are narrative settings not claimed as visible in <Picture 1>. detailed_description: [Shot 1] Photoreal, sharp live-action look in a 3:4 vertical full-body frame. Warm lamp light from camera-left and a cooler window wash from the rear separate the subject from a dim, stylish city-apartment lounge at night. <Subject 1>, the adult woman referenced from <Picture 1>, stands centered from head to heels: platinum blonde hair, pale freckled skin with a blush, big puffy lips, a fit body and thin waist, and a light shiny oiled-skin sheen. She wears a stylish, sexy, curve-hugging cocktail dress over a bra and panties; nothing is nude. She faces the lens as if the viewer is her date, no other people visible. She smiles, crooks one finger, and takes a tight, energetic step forward. (S1) speaks to the viewer with moving lips: <d>[English] There you are. Don't just watch—come closer.</d> [Shot 2] At 00:04.200, The camera cuts to a three-quarter full-body view, still keeping her entire figure in frame and avoiding a closeup. <Subject 1> remains in the same lounge and dances toward the lens as if sharing the date with the viewer; no other faces appear. She peels the dress straps down and lets the bodice drop to her waist, flashing only the stylish bra that still covers her chest, then grabs one breast over the bra with her own hand. Her expression turns heated and inviting. Fabric rustles as she moves. (S1) says: <d>[English] Like what you see? Keep your eyes on me.</d> [Shot 3] At 00:08.500, The camera cuts to a side-three-quarter full-body angle beside a leather armchair. <Subject 1> now wears the bra and matching panties with the dress bunched at her hips; undergarments stay on and sexual organs are never shown. She mounts the chair in a cowgirl-style straddle, grinding in profile toward the implied viewer. She grips the chair back, head tipping with an intense pleasured expression, lips parted, then glances to the lens. (S1) says: <d>[English] Stay right there. This night is ours.</d> overall_soundscape: A quiet night apartment bed of muffled city hush and a low ventilation tone sits under the scene. Heel taps, dress fabric sliding, a soft bra-strap snap, and the leather chair creaking mark her steps, reveal, and grind. Close, breathy non-verbal exhales rise with the dance and the final straddle, without covering her spoken lines. non_diegetic_music: Fast, driving electronic-pop underscore with a tight four-on-the-floor kick, pulsing bass, and bright synth stabs. The arrangement stays energetic and compressed for short-form pacing, lifting into a stronger hook on the dance and easing only slightly under the last line.

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