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Video generation prompt

This instruction describes the intended video; details and movement in the finished clip may vary.

subject_definitions: <Picture 1> provides the appearance reference for the lead woman. <Subject 1> is that woman: long black hair, blue eyes, a choker, stockings, and a stylish white refined bodysuit lingerie look. Use <Picture 1> only as identity reference for face, hair, body type, and costume family; do not invent unseen pixel details from the file. summary: A tight 13-second vertical video of <Subject 1> from <Picture 1> flirting with the viewer as if on a private date, delivering seductive dialogue, and dancing close without showing any other faces. <Picture 1> is used as the character appearance reference, not as a locked first frame. retention_analysis: <Subject 1> identity from <Picture 1> is fully_preserved: long black hair, blue eyes, front-facing presentation, choker, stockings, and an alluring white lingerie-bodysuit silhouette. Costume coverage is partially_preserved: the collected source mentions crotchless construction, no panties, and erect nipples, but the video keeps refined white bodysuit lingerie that stays sexy and curve-accentuating while requiring a bra and panties and excluding nudity and sexual organs. Pose is partially_preserved: the source note of showing feet remains available in the dance framing, while the static portrait becomes live flirting, date-like eye contact, and dancing. Environment is weak_reference because <Picture 1> is a character reference rather than a locked set, so a warm private lounge is added for the storyline. detailed_description: [Shot 1] Photorealistic live-action, 3:4 vertical portrait. Medium shot of <Subject 1>, the woman referenced from <Picture 1>, standing front-on in a warm, dim private lounge. Soft key light from camera-left sculpts her face and body; a cooler rim from behind separates long black hair from a dark velvet backdrop. She wears stylish, sexy, alluring white refined bodysuit lingerie with a structured bra and panties, a fitted bodice that accentuates her waist and hips without nudity, a slim choker, and sheer stockings; blue eyes lock on the lens. Natural youthful skin, five fingers on each hand, no extra limbs, no green skin, no statue-like stiffness. She inhales, tilts her head, and smiles as if greeting a date, then slowly runs one hand along her side. (S1) looks into the camera and says <d>[English] Hey... I dressed up just for you.</d> Her lips move with the line. [Shot 2] At 00:04.000, The camera cuts to a closer three-quarter shot as <Subject 1> from <Picture 1> steps toward the viewer. She sways into a tight, energetic dance, shoulders and hips in rhythm, stocking-clad feet remaining visible in the lower frame. She extends one hand toward the lens as if inviting the viewer to dance with her; no other faces appear. The same white refined bodysuit lingerie, choker, and stockings stay on, covering her with bra and panties while still tracing her curves. (S1) says <d>[English] Come closer. Dance with me.</d> Her gaze never leaves the camera as fabric shifts with the motion. [Shot 3] At 00:08.500, The camera cuts to a medium close-up of <Subject 1>. She leans toward the lens, fingertips grazing the choker, then winks and holds a charged stare as if the date is only between her and the viewer. (S1) says <d>[English] Don't look away. Tonight, it's only us.</d> She settles into a still, inviting front-facing pose, breathing softly, long black hair framing blue eyes, clothing remaining fully on with undergarments, no sexual organs shown. overall_soundscape: A quiet private lounge bed of air and a low room tone. Soft footsteps and the rustle of lingerie fabric and stockings mark her approach and dance. Close breath and the physical presence of her voice sit in the room; no other people are heard. non_diegetic_music: Fast-paced contemporary electronic pop with a pulsing bass, bright synth stabs, and a tight four-on-the-floor beat. The track stays energetic through the full thirteen seconds, lifting on the dance and easing just under the last line.

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